Paul Victor Jules Signac was born in Paris on 1November 1863. He followed a course of training in architecture before deciding at the age of 1to pursue a career as a painter after attending an exhibit of Monet's work. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure color, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He loved to paint the water. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends.
Signac met Vincent Van Gogh in Paris. The two artists regularly went to Asnières-sur-Seine together, where they painted such subjects as wild landscapes and cafés. Initially, Van Gogh chiefly admired Signac's loose painting technique. In March 1889, Signac visited Vincent Van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he 'discovered'. From his various ports of call, Signac brought back vibrant, colorful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolors he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and André Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Société des Artistes Indépendants from 190until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
Signac served as a juror with Florence Meyer Blumenthal in awarding the Prix Blumenthal, a grant given between 1919-195to painters, sculptors, decorators, engravers, writers, and musicians. Private lifeGeorges Seurat Portrait of Paul Signac, 1890, conte crayon, private collection
On November, Signac married Berthe Roblès at the town hall of the 18th district in Paris; witnesses at the wedding were Alexandre Lemonier, Maximilien Luce, Camille Pissarro and Georges Lecomte. In November 1897, the Signacs moved to a new apartment in the Castel Béranger, built by Hector Guimard, and a little later, in December of the same year, acquired a house in Saint-Tropez called La Hune; there the painter had a vast studio constructed, which he inaugurated on 1August 1898.
In September 1913, Signac rented a house at Antibes, where he settled with Jeanne Selmersheim-Desgrange, who gave birth to their daughter Ginette on October 1913. In the meantime Signac had left La Hune as well as the Castel Beranger apartment to Berthe: they remained friends for the rest of his life. On April 1927, Signac adopted Ginette, his previously illegitimate daughter.
At the age of seventy-two, Paul Signac died on 1August 193in Paris from septicemia. His body was cremated and, three days later, 1August, buried at the Père Lachaise Cemetery. PainterThe Port of Saint-Tropez, oil on canvas, 1901, The National Museum of Western Art, Tokyo, Japan
Some of his well known paintings are: The Bonaventure Pine, Saint Tropez , Port St. Tropez and, The Papal Palace. Writer
Signac left several important works on the theory of art, among them From Eugène Delacroix to Neo-impressionism, published in 1899; a monograph devoted to Johan Barthold Jongkind (1819-1891), published in 1927; several introductions to the catalogues of art exhibitions; and many other still unpublished writings.
Politically he was an anarchist, as were many of his friends, including Félix Fénéon and Camille Pissarro.